2016 Amc Teacher Manual
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This manual contains 46 lessons for teaching adults and youth ages 14–17 in. Gospel Doctrine Teacher’s Manual. (Updated 2016-09-01.
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9303 (SD) (Canada) 85 (HD) (Canada) 36 (HD) AMC is an American and that is owned by it namesake. The channel's programming, similar to that of, primarily consists of theatrically released, along with a limited amount of original programming. The channel's name originally stood for 'American Movie Classics', but since 2002 the full name has been de-emphasized as a result of a in its.
As of July 2015, AMC was received by approximately 94,832,000 households in the United States that subscribe to a pay television service (81.5% of U.S. Households with at least one television set). In March 2015, 's announced it would soon begin making AMC channels available to, including AMC, and. Contents.
History 1984–2002: Focus on classic films American Movie Classics, as AMC was originally known, debuted on October 1, 1984, as a. Its original format focused on classic movies – largely those made prior to the 1950s – that aired during the afternoon and early evening hours in a -free, generally unedited, uncut and format.
AMC was originally operated as a between and cable television provider (, who owned TCI and its parent, would launch another premium service—, which also originally focused on older films, mainly from the 1960s to the 1980s – seven years later in April 1991). During its early years, it was not uncommon for AMC to host a marathon of films, or show classics such as the original 1925 release of. In 1987, the channel began to be carried on the tiers of many cable providers. By 1989, AMC was available to 39 million subscribers in the U.S.
On December 1, 1990, AMC began operating on a 24-hour-a-day schedule. Beginning in 1993, AMC presented an annual Film Preservation Festival to raise awareness of and funding for. Coordinated with, an industry group that was founded by acclaimed director, the festival was originally conceived as a multi-day presenting rare and previously, many airing for the first time on television, along with behind-the-scenes reports on the technical and monetary issues faced by those engaged in archival restoration. Portions of the festival were often dedicated to all-day marathons focusing on a single performer. During its fifth anniversary year in 1998, Scorsese credited the Festival for creating 'not only a greater awareness, but.
more of an expectation now to see restored films.' In 1996, curator of the Mary Lee Bandy called the Festival 'the most important public event in support of film preservation.'
By its tenth anniversary in 2003, the Festival had raised $2 million from the general public, which The Film Foundation divided among its five-member archives. In 1993, Cablevision's Rainbow Media division became the majority owner of the channel, when it bought out Liberty Media's 50% stake in AMC; incidentally in August of that year, Liberty announced its intent to purchase the 25% stake in the channel that Cablevision held at the time, with the helping to finance the buyout that included an option for TBS to eventually acquire AMC outright.
The following year, (which would later purchase rival following the company's 1996 acquisition of the Turner Broadcasting System) also attempted to acquire at least part of Liberty Media's stake in AMC. In June 1995, AMC filed a $550 million lawsuit against, which alleged that the company violated AMC's exclusive cable television rights to the pre-1950 film library to broadcast approximately 30 times between July 1994 and April 1995, charging that Turner's objective in violating the contract was 'to gain unfair advantage for the Turner Classic Movies cable network (which debuted in April 1994) at the expense of AMC.' ; Turner owns rights to the film library and licensed RKO's films to AMC in an output deal that was slated to last through 2004. Under the terms of the deal, AMC would obtain the RKO titles in exclusive windows. Around this time, / owned a stake in AMC – which it divested in the early 2000s. From 1996 to 1998, AMC aired its first original series, a half-hour scripted series about a radio station during the peak of radio's influence in the 1930s. The show was well received by both critics and its enthusiastic fans, but was abruptly cancelled after its fourth season following management changes at the channel (WENN was followed up by, which lasted for only 16 episodes).
Despite a well publicized write-in campaign to save the series, the show was not renewed for its originally scheduled fifth season. AMC logo used from 1998 to 2002. One popular AMC program was American Pop! (originally intended as a preview of a new 24-hour cable channel), which ran from 1998 to 2003 and featured movies from the 1950s and 1960s aimed at (such as and ). Of particular interest to movie completists were the segments that AMC played to fill out the timeslot (Saturday nights from 10:00 p.m. To 12:00 a.m. ): classic, movie ads and (bits extolling viewers to visit the snack bar, etc.), along with cribbed from movie musicals from the period.
The majority of the films presented on AMC during the 1990s had originally been released by, and. The channel also occasionally showed classic. The regular hosts of the telecasts were and later, as well as radio personality from WNEW (1130 AM, now ).
Amc Theatre
Another WNEW alum, provided his voice for the 'Jazzbo's Swingin' Soundies' series of. For most of its first 18 years in existence, AMC provided uncut and uncolorized films without commercial interruption. Its revenue came from carriage fees provided by the cable providers that maintained carriage agreements with the channel. However, in 1998, AMC began accepting traditional advertising, incorporating limited commercial interruptions between films (its sister movie channel, which had launched only one year earlier, became an entirely ad-supported channel at that point). By 2001, AMC had also incorporated commercial breaks during its movie telecasts. As a result of this move, Turner Classic Movies became the only one of the two classic film-focused networks to present their films commercial-free.
2002–09: Format change and expansion into original programming. AMC logo, used from 2002 to 2013.
On September 30, 2002, AMC underwent a significant rebranding, changing its format from a classic movie channel, broadening to a more general focus on movies from all eras – as well as shortening its name to just the 'AMC' abbreviation, and introducing a new logo (a rectangular outline with a lowercase and uppercase 'a MC' text). Kate McEnroe, then-president of Rainbow Media, cited lack of subsidies from cable providers as the reason for the addition of advertising, and cited ad agencies who insist on programming relevant to their products' consumers as the reason for the shift to recent movies instead of just classics. At the time of the format switchover, the company also attempted to launch a spin-off channel, AMC's Hollywood Classics, which would have required viewers to pay an extra fee to receive the channel. This commercial-free channel would have aired black-and-white classics from the 1930s through the 1950s that American Movie Classics had been airing up until its format changeover; however, the new channel never debuted. The network also gradually brought back original programming. In 2004, AMC aired its first, FilmFakers; the show featured out-of-work actors who believed they were auditioning for a major role in a real movie, only to be told that they were the subject of a prank and no film actually existed.
A article on the show said that ' FilmFakers may go down as one of the meanest reality series yet.' From 2002 to 2007, AMC was a channel focused on American films partially classics as well as documentaries about film history such as Backstory and Movies that Shook the World. On September 1, 2006, AMC officially became available in Canada for cable customers of and satellite customers of (formerly StarChoice), marking the first time the network was made available outside the United States. In late 2007 the network debuted its first original drama series, a about executives in the 1960s. The show was immediately lauded by critics, and won 16 and a., a drama about a -stricken chemistry teacher involved in making and dealing (played by, who had been known primarily for comedic roles in series such as prior to the series), premiered in 2008; also garnering critical acclaim, winning 16, and is regarded as one of the greatest television series of all time.
Breaking Bad and Mad Men ended their runs in 2013 and 2015, respectively, with the former receiving a spin-off in the form of. 2009–13: 'Story Matters Here' On May 31, 2009, during the second-season finale of Breaking Bad, AMC rebranded with the introduction of a new slogan, 'Story Matters Here'. Later that year, the network premiered its second miniseries,. On January 4, 2010, AMC began airing on Monday through Saturday mornings from 6:00 to 9:00 a.m. Eastern Time; the Saturday morning infomercial block was eliminated after its March 25, 2011, airing as AMC added a Saturday block of series and films the following week. 2010 also saw the premieres of and.
While Rubicon was cancelled, The Walking Dead became an enormous success and has become the most watched scripted program in basic cable history. In 2011, Rainbow Media into a separate company, which was renamed AMC Networks, after its flagship cable network. Cablevision founder and his family continue to retain a controlling interest in the company. Also during this year, the network introduced two new dramas ( and ), two original web series ( and ), and the Walking Dead discussion series. In 2012, AMC premiered three original reality series:, and; along with a second web series spun off from The Walking Dead,. 2012 Dish Network carriage dispute. Main article: 2013–present: 'Something More' On March 31, 2013, during the third-season finale of, AMC unveiled a rebranding campaign with the new slogan ' Something More', and inverted the logo from a rectangular outlined box to a solid gold block with the network's acronymic name retained in the center.
2013 saw the channel's unscripted slate double with the additions of the unscripted series, Immortalized, and Showville, and the Breaking Bad discussion series. Also in April, which was originally developed for AMC, premiered on AMC's sister channel to jump-start that network's emerging slate of original scripted programming. It was then followed by the July announcement that fellow sister channel had picked up another series originally developed for AMC for the 2012-13 development slate, to series. During this timeframe, AMC had started to run marathons of certain shows and cross-promote programs from its co-owned sister channels. In July 2013, the network announced that it had given series orders for two dramas: (which premiered on April 6, 2014) and (which premiered on June 1, 2014). This marked the first time that AMC had four pilot orders picked up to series in the same cycle, the other two being The Divide and (the latter premiered on August 11, 2013, after the season premiere of the final season of Breaking Bad).
The former two would both be renewed for second seasons while the latter two were cancelled after their first seasons. AMC would then pick up up for a six episode first season and spinoff for two seasons. Shift away from unscripted programming On October 9, 2014, it was announced that AMC would scrap its entire current and future unscripted slate outside Talking Dead and Comic Book Men. This announcement came shortly after AMC took over the co-production of the sci-fi drama Humans from. AMC Media recently bought the European media giant Chello Media from.
At the end of October, it was announced that AMC had won the bidding war to air the miniseries The Night Manager. In November, renamed the European to. In January 2015, the Asian MGM channel also became AMC as well. Also in January 2015, AMC announced that they would be airing the eight part miniseries. In 2016, AMC introduced a new slate of original unscripted series, including, and new expansions of the Talking Dead format with, and.
Programming Series programming. Further information: Although movies remain an integral part of AMC's schedule, the network has garnered attention in recent years for its original series. The channel's first original series was, which ran from 1989 to 1990; outside Remember WENN and Filmfakers, most of AMC's original programming prior to September 2007 consisted of film history-related documentary and review programs. The establishment of Mad Men in 2007, followed by that of Breaking Bad in 2008, has given AMC a reputation on par with premium cable networks and, both of which rejected Mad Men before it came to AMC. The channel also airs some such as and and shorts from. Series programming, however, continues to occupy a limited portion of AMC's schedule.
Movie library AMC maintains movie licensing rights agreements with, (including films from and library content from, and ), (primarily film content from ) and (including, and ). Since the 2003 format change, the network's film telecasts usually are 'television' cuts meant for basic cable, which feature content edits, dubbing of, and some time edits by removing some superfluous plotting or toning down scenes with adult content inappropriate for basic cable broadcast to fit within a set timeslot with commercials added. FearFest In 1997, AMC launched Monsterfest, a popular week-long marathon of and thrillers that aired in late October. In the mid-2000s, AMC started a Monsterfest blog on its website, which chronicled news on horror-related film and television productions. In addition, AMC presented 'Fear Friday,' a horror movie on late Friday evenings.
On September 26, 2008, AMC announced the launch of a new horror-themed movie marathon for its October schedule called 'Fearfest' (which replaced Monsterfest); coinciding with this, the 'Monsterfest' blog was renamed as the 'Horror Hacker' blog. References. Gildemeister, Christopher (October 16, 2006). Parents Television Council. Archived from on September 30, 2007. Retrieved January 22, 2008.
Associated Press. March 3, 2003. Archived from on April 17, 2008. Retrieved May 31, 2008.
TV by the Numbers. July 21, 2015. Retrieved July 21, 2015.
Newman, Jared (March 4, 2015). Newman, Jared (January 30, 2015). 'Sling TV brings back the linear video element that other cord-cutting services lack, but could use some polish and a few more features'. Paul, Ian (February 9, 2015).
^ Gildemeister, Christopher. September 30, 2007, at the., October 2, 2006. ^ Gomery, Douglas. King, Susan (October 2, 1997). Retrieved September 20, 2008. Retrieved September 20, 2008.
Elber, Lynn (August 29, 2002). Retrieved June 4, 2011., September 20, 1993. Retrieved February 28, 2011, from HighBeam Research., Multichannel News, August 23, 1993. Retrieved February 28, 2011, from HighBeam Research., June 13, 1994. Retrieved February 28, 2011, from HighBeam Research., June 26, 1995. Retrieved February 28, 2011, from HighBeam Research.
Retrieved June 4, 2011., (via ), March 24, 1997. Battaglio, Stephen. It now has enough commercials to make movie watching almost as intolerable as any other commercial channel. June 27, 2003. From the AMCtv.com FAQ.
^ Dempsey, John. May 13, 2002. Battaglio, Stephen. June 28, 2002. Ogunnaike, Lola (October 26, 2004). The New York Times. Retrieved April 23, 2010.
August 29, 2006. Retrieved January 3, 2017. ^ Stanley, Alessandra (July 18, 2006). The New York Times. Retrieved December 16, 2010. Television Academy. Retrieved May 28, 2014.
Television Academy. Retrieved May 28, 2014. Wyatt, Daisy (18 May 2014). The Independent.
Retrieved 28 May 2014. The Futon Critic. Retrieved 15 August 2013. Deadline New York July 1, 2011. January 18, 2012, at the.
^ Multichannel News September 1, 2011,. Goldberg, Lesley (1 April 2013). The Hollywood Reporter. Retrieved 1 April 2013. Goldberg, Lesley (July 11, 2014). Retrieved July 12, 2014. Andreeva, Nellie.
Deadline Hollywood. Retrieved 10 October 2014. Andreeva, Nellie. Deadline Hollywood. Retrieved 10 October 2014. Goldberg, Lesley.
The Hollywood Reporter. The Hollywood Reporter. Retrieved 29 December 2014.
The Hollywood Reporter (September 20, 2014). Broadband TV News. Retrieved October 6, 2014. Andreeva, Nellie. Deadline Hollywood. Retrieved 10 January 2015. Eric Goldman (June 10, 2016).
Retrieved June 13, 2016. Pedersen, Erik (February 11, 2016). Retrieved February 13, 2016. Nemetz, Dave. Retrieved April 7, 2017.
Amc Teacher Manual
March 1, 2017. Retrieved April 7, 2017. AMCtv.com on Apr 6, 2010 (April 6, 2010). Retrieved June 4, 2011. External links.